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S
D MICROPHONE SYSTEMS
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The SX SERIES
The SX series SAXMIC MK
2 is a breakthrough in condenser microphone technology at
an attractive price giving a natural bright and clear sound.
The adjustable positioning system, on the gold lacquered clamp
gives total tone control. The light-weight power supply with
volume control uses a 9V battery and has a 6.5mm standard
jack output. |
| SX-1 |
SAXMIC MK 2 for Alto and
Tenor Saxophone |
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| FX-1 |
Flute - NEW MODEL |
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The MODULAR
SERIES
A new addition to the SD range.
This modular system utilising a new clamping system allows
easy transfer between Saxophones and will fit any brass instrument.
The shockmount gooseneck system uses the 94 microphone as
standard. |
| SDS
MD |
Bell clamp with shockmount gooseneck
for all instruments using the 94 dynamic microphone |
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| SDS CL |
Rackmount Gooseneck clamp only |
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| SDS 85 |
85 Microphone
only for use with the SDS CL |
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| SDS 77 |
77 Microphone
only for use with the SDS CL |
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| SDS LP |
Pre-amp
only for 85 and 77 microphones |
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| The
LCM SERIES
These high quality specialised
microphone systems are used and endorsed by many of todays
top musicians including David Sanborn, Bob Berg and Marcus
Miller. The LCM 89 is recommended by Patrick Selmer as being
the best Saxophone mike available. All LCM clamps are made
of light-weight stainless steel and are handmade. All mike
systems are delivered including a light weight black plastic
preamp-power supply box, belt clip and standby switch. The
preamp can be used either with a 9V battery or with standard
phantom power. It has a standard balanced XLR output. All
LCM and LDM mike systems include a professional case except
for the LCM 77 Trumpet mike.
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| LCM
85LP |
Wind
Instruments. Condenser type with stand-by switch.
Supplied with a clamp this microphone can be used on many
instruments, Saxophone, Trombone, Tuba etc. |
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| LCM 85LPS |
Same as the LCM 85LP, but with shock
mount system. |
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POA |
| LCM
89A/T |
Alto/Tenor/
Baritone Saxophone. Condenser type with volume, tone
and stand-by switch. This condenser microphone is used by
many professionals for studio and live sessions. The handmade
LCM 89 gives a pure natural sound. The microphone is very
stable positioned in the centre of the bell, giving you
a full sound |
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| LCM
94 |
Alto/Tenor/Baritone
Saxophone - High Power. Dynamic capsule type. This
microphone is designed for far reaching sound pressure levels
for Saxophonist playing at very high volumes, e.g. rock
bands. This microphone requires no pre-amp and has a direct
XLR output |
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| LCM
70 |
Flute.
Condenser microphone with volume, tone and stand-by
switch. The silver plated clamp easily attaches to the head
joint and produces a smooth balanced frequency response,
for Classical, Jazz and pop music |
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| LCM
77 |
Trumpet.
Condenser microphone with volume, tone and stand-by
switch. The light weight translucent tube can be easily
clipped on whilst still giving room to use mutes. Designed
with the sound engineers of the late Miles Davis, this microphone
offers freedom never available before. |
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| LCM
80 |
Soprano
Saxophone. Condenser type with volume, tone and stand-by
switch. This system uses two microphones, one bell mounted
for the harsh sharp sounds and one over the middle for the
rich mellow sound. Both are perfectly balanced to give a
true reproduction. |
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| LCM 80EW |
Soprano
Saxophone - extra warmth. Similar to the LCM 80 but both
microphones are positioned over the instrument to enable
a rich warm sound to be produced. |
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| LCM
82 |
Clarinet.
Condenser type with volume, tone and stand-by switch.
This system uses two microphones, one bell mounted and one
over the body to give a true sound. |
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| LCM 82B |
Bass
Clarinet. Condenser type with volume, tone and stand-by
switch. This system uses two microphones, one bell mounted
and one half way down the body. This combination produces
an clear natural sound from an instrument that is very hard
to amplify |
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| LCM 83 |
Bassoon.
A new additional to the SD range. Condenser type with volume,
tone and stand-by switch. A two microphone system that allows
the full tonal range of the instrument to be amplified |
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| LCM
100 |
Double
Bass. Condenser type with volume, tone and stand-by
switch. This microphone offers the ultimate solution for
the double bass. It guarantees a natural sound reproduction
of digital studio quality, from the most subtle bow to heavy
jazz solos. The microphone includes a bridge clamp and a
high level preamp to connect with the line input of a bass
amplifier |
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| LCM 102 |
Double
Bass with Sound Blender and PU-4. The ultimate microphone
system for Double Bass offering complete control over volume,
tone and balance between the two inputs. |
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| LCM
110 |
Violin.
Condenser type with volume, tone and stand-by switch.
The microphone is mounted shockfree at the tail piece and
gives a very natural sound |
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| LCM 112 |
Violin
with Sound Blender and PU-3. Giving you ultimate
control using the microphone and PU-3 pick-up via the sound
blender |
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